Woody Allen is a genious. Decades of original talent take shape -before the skepticals- by over 80 awards received along his career.
His scripts are known for taking comedy to its most intelectual side, often recurring to characters struggling with existencial dilemma, sometimes because they just can't help it.
From the last decade is because of this movie and Match Point that Woody Allen will be remembered.
Owen Wilson, in the best character he has ever play reminds me -positively- of Woody Allen style in Annie Hall. Surprisedly, Rachel McAdams' role fits like a glove (I start thinking her best roles are those of rich-spoiled-girl, just remember The Notebook).
Plot takes place in the City of Light, who also leads the story, where Wilson's, a screenwriter about to become a novel writer, questions the posibility of moving to the French capital once he gets married with McAdams. He wants to live as those artists from the past who give Paris her reputation.
From there we find multiple memorable characters such as conceived Paul
Brody simply steals every scene he appears in and transmit the genius from which Dali is known for. He deserves an Oscar as Best Supporting Actor for this brief but valuable performance.
The end is not as important as the journey, where beautiful Marion Cottilard will atracct men from Picasso to Matisse (no matter if the second comes first in time), it will be a little detour before so delicious adventure on parisian streets and Van Gogh's starry nights.
Inspired by the time Paris was the center of art, and by the legacy left by French impressionism, Midnight in Paris is an authentic surreal course in the most visited city of the world. Only Paris is magic after midnight.
1 comment:
great movie...
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